Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Louis de Silvestre
Portrait of Johann Georg, Chevalier de Saxe

ID: 88051

Louis de Silvestre Portrait of Johann Georg, Chevalier de Saxe
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Louis de Silvestre Portrait of Johann Georg, Chevalier de Saxe


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Louis de Silvestre

(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.   Related Paintings of Louis de Silvestre :. | Princesa Maria Amalia de Sajonia en traje polaco | Portrait de Marie | Portrait of Johann Georg, Chevalier de Saxe | Baroque architect | Portrait of the Queen Maria Josepha in Polish costume |
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Ernst Stuckelberg 1831-1901
ELIAERTS, Jan Frans
Flemish painter (b. 1761, Antwerpen, d. 1848, Antwerpen)
Johann Jakob Ulrich
impression atist 28 Feb 1798 -- 17 March 1877. Swiss painter. He first studied under his father and then in Paris in 1822 in the studio of Jean-Victor Bertin. As a student he concentrated on unusual lighting effects in his landscape paintings well before they became a hallmark of the precursors of the Impressionists. In 1824 at the Salon in Paris he first saw paintings by Constable. On a trip to Italy in 1828 he did studies en plein air as preliminary sketches for his studio paintings. His early paintings emphasize brilliant colour, low horizons and scientific observation of cloud formations in a manner similar to Constable's studies, which he actually saw on visits to England in 1832 and 1835. Like Eugene Boudin, Ulrich was interested in poetic evocations of sun, water and effects of atmosphere rather than in the precise delineations of topography typical of Swiss art of that period. From 1824 he showed regularly at the Salons in Paris and in 1837 he returned to Zurich. Because the Swiss public was reluctant to accept his freer,






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